Volume 6.1 Spring 2021 - Disaster

A Year Marked by Disaster

Amidst the variety of experiences of disaster, sacred arts and ritual emerge as ways to acknowledge, remember, heal, and hope.

How do music, the arts, ritual, and worship affect the way we experience disasters? How do they help us make sense of death, loss, and anguish? In a year that has been marked by disaster for so many people across the globe, these questions are as important as ever. This issue of The Yale ISM Review invites readers to explore these questions in several different contexts: from COVID-19 to migration, from racial oppression to climate change. Amidst the variety of experiences of disaster, sacred arts and ritual emerge in these articles as ways to acknowledge, remember, heal, and hope.

On The Cover

Winslow Homer (1836-1910) is one of America’s greatest watercolorists. This well-known painting titled “After the Hurricane, Bahamas” was painted in 1899 and was inspired by Homer’s travels around the Caribbean. A self-taught artist, Homer had a keen sense of the expressive possibilities of color. The contrast of light and dark in this piece displays a storm recently passed but still threatening, with the bright sun illuminating the destruction left in its wake. 

Yale ISM Review Cover Spring 2021

In this Issue